VOCAL PRODUCER:
This is a member of the production team, who may or may not also produce the instrumental tracks. The vocal producer's job is to get the very best recorded vocal of which a person is capable. This involves not only helping the vocalist sing with good technique but also deliver the song in the most authentic and emotionally compelling way possible, so as to cause an emotional response in the listener.

Most of the time, the vocal producer will produce several vocal tracks of the singer and then with the engineer, will "comp", or choose the best of, the tracks for the master lead vocal.

VOCAL CONSULTANT:
This is an in-studio vocal coach who is present to coach the recording artist with any problem areas he or she is having with what the producer is asking. In this case, the vocal consultant is not the active producer at the talkback switch - just standing by ready to help when problems occur.

Jc-records tuko katika maandalizi ya hit songs, project ambayo inasimamiwa na producer Aby dady.

Like a commander-in-chief, this is the over-all point person you choose to get your project recorded. You will negotiate a flat fee, an hourly fee and/or for "percentage points" of the sale of your project.

Among the duties this person assumes are -
Consulting with you about what you want in a final product, as well as helping you understand the process and the costs involved in the kind of project you choose.
Assessing who you are as an artist, what your current vocal and songwriting ability is and whether or not you need to increase your abilities with a vocal coach and/or do some co-writing before recording to give you the results you need for your goals.
Choosing or helping you choose the best songs for your project and obtaining any necessary licenses for those final songs.
Doing pre-production such as: discovering best keys, tempos, instruments and background vocals (bgv's)
Choosing and booking dates for the studio, engineers, musicians & bgvs.
Producing the instrumental tracking and the vocals for the songs, or enlisting the services of a vocal producer or consultant.

Breath for the long notes:
Long notes can be challenging to hold, and to hold in tune and with resonance instead of just being eeked out.

Try to imagine that you have an "inhalation sensation" when you sing. Here's a couple of ways to practice it:
Imagine and try to sense that you are inhaling instead of exhaling as you hold a note. Of course you are exhaling, but hold back that air pressure so much that it feels like you're inhaling. While "inhaling" the note, try raising your eyebrows and relaxing your jaw and it should feel like no breath is going forward, but great resonance floats your tone out.
Put the palm of your hand very close to your mouth. Now try holding a note, but letting as little breath as possible get on your hand.
Imagine a mirror right at your mouth. Hold a note, but don't leave a breath mark on the mirror. (You don't need a real mirror for this, just imagine it.)
With your breath efficiently compressed, your eyes active and your jaw relaxed, you should get volume from the rich resonation of sound from your open throat. No pressured tone will sound as beautiful.

Ok, folks, chime in about holding notes out. How do these suggestions work for you? What else have you noticed about having enough breath for the vocal chore to be done?

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