Protection for your voice

There are mechanoreceptors in the tissue of the vocal folds and one would never really guess how much intricate emotional changes can affect the status of our vocal mechanism.

Neither do we need to, in fact, I mean, scientifically. Let the scientists measure those. Enough for us to understand that the larynx is really sensitive.What we do need to understand as singers, is that the vocal folds can behave in various ways and that we should be able to control them consciously to help our voices stay in good shape.

I´m talking about the mechanism that determines if the folds are vibrating with thick or thin mass. The way to protect your voice from excessive workload is to be able to vibrate with thin mass. Only the edges of the folds come into contact. The sound is what we also call head voice or head register.
This calls for gentle closure of the cords, even airflow and regulated air pressure. If you can do it, great, you are safe! Because if you no longer can sing softly, you may have a problem. The cords may have become too thick and are perhaps swollen; there might even be some tissue damage

So, always cultivate your ability to sing Evenly, gently, smoothly both low and high range, but especially in the middle range. If you have a nice mixed voice in the middle range, you also have vocal protection.

This doesn´t mean you should always sing softly.

Top Three Reasons You Might Sing Out Of Tune.

    1. You're not really listening actively to the right thing. You must focus your ear primarily on the center of the pitch in the track, and that is usually on some acoustic instrument. Overtones of instruments can distract your ear. Lowering the bass can help you focus on more accurate frequencies (overtones from even an in-tune bass can throw your ear off). If you're having trouble in the studio, taking instruments out of the mix can help, so it's just bare bones acoustic guitar, piano and maybe some drums. Of course, if you can't hear because the band is too loud and/or your stage monitor mix is bad, you'll have to depend on the physical sensation or feeling of being in tune the muscle memory you learn when you practice being in tune. Cupping your hand or two fingers over your ear helps, and many artists now use ear monitors, but you have to get the mix right. You might want to practice with a gadget called Hearfones.

    2. You are holding some sneaky, counter-productive tension somewhere keeping you from accurately aiming at pitch. In this case, you do hear it you just can't hit it. Discover and cure the tension and your pitch will miraculously improve.

    3. Or, ear training may be something you really need. Target practice is vital: Play a note or series of notes and try to hit them dead on. If you can't tell if you're right, practice with someone who can tell (and/or a vocal coach).  And don't let yourself get by with the bad habit of singing a little out of tune. Don't worry about being surgically accurate unless you're a session singer, but do try to be.

And a final point: remember that it's not a good idea to depend on vocal tuning your final vocal to do the job. Yes, tuning can be a helpful tool, but used improperly will take the magic right out of your recording.